One side of it is light and one side of it is dark. And they generally go, they graduate from light to dark, you know, and lightish to less lightish on this side. And this is the beginning of our log cabin. But when I put a log cabin together I literally sew it on and trim it off. And this is going to be on my red side. And let me just sew that right along here and show you what that means.
Alright so now what I do is I would just trim this off just like this. And then press it open. And I always keep the piece I just finished at the top so that I know exactly where to lay my strip.
And press it back. So now we need to add another layer of the light. And so on this one right here, see this block right here you can see that the back of this is the darker red because I needed to keep this light out here.
And then again, now this is the piece I just sewed on and I just finished with it so I lay my strip right along that side.
And again I just put this piece on so I turn it and my strip goes on this side, oh but it goes this way. I almost did that twice. This is when your block gets a little scrappy is when you start, you know you just pick up a piece. I have all these little mantras I have to say every time. Trim that off. That one is not long enough. Let me see if I can find another dark here.
Alright so we are going to put this one right on this side right here. And this will bring us to a whole new set of talking points. I thought for a second there I was putting it on the wrong side. I had to stop and look. So two rounds from the middle on both sides. This is your block. Now if you chain piece your blocks. So if you have all these 16 of them or all these 25 of these and you get one long strip and you just keep adding to it, adding to it, adding to it, this center block is always going to be the same.
If you want to scrap them up and make them different, that is also ok. So I want you to look at the quilt behind me right here. So this one, the same, all the same, same. Well this one is a little different. This one is exactly the same, all the strips are the same. You can see where the lights come together, you see where the darks come together. And it just makes this awesome pattern. This is a nice big eight inch border.
And we just used one roll for it. I wanted to put a beefy border on. And when I got this big border on it, I just thought it needed something more. So I decided to cut it in a vine method. And it has a little book in there that says if your quilt is this big this is how many scallops you need or how many, you know, vines you need.
And I went ahead and did this nice vining piece. Now whenever you do a border with a curve in it, you have to have bias binding. So bias binding is when you cut your binding on the 45 and I have a tutorial on that that you can look up. But also I actually just ordered, Missouri Star sells bias binding and I actually ordered ten yards. I think I used about seven of them to make this quilt. Search Rare, Out of Print Books? Searching in progress Disclaim: Part of content on this site is properties of their respective owners and copyright holders.
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Add to cart. Sold by zuber About this product Product Information If you love quilting but are hard put to find time to work on a full-size project, these 20 small quilts may be just right for you. You'll also find clear step-by-step instructions, 27 sturdy full-size templates, 20 full-size quilt diagrams, and over additional diagrams.
Easy to follow and brimming with helpful hints and advice, this book is a great opportunity for quilters at all skill levels, beginner to veteran, to enjoy the fun and satisfaction of quilting on a small scale. Show More Show Less.
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